VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.


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VELAZQUEZ, Diego Rodriguez de Silva y John at the Piter oil


John at the Piter
Painting ID::  54673
John at the Piter
mk237 1619 Oil on canvas 135.5x102.2cm
mk237 1619 Oil_on__canvas 135.5x102.2cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Tomas oil


Tomas
Painting ID::  54674
Tomas
mk237 1618-20 Oil on cavnas 95x73cm
mk237 1618-20 Oil_on_cavnas 95x73cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Paul oil


Paul
Painting ID::  54675
Paul
mk237 1619-1620 Oil on canvas
mk237 1619-1620 Oil_on_canvas
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Paul oil


Paul
Painting ID::  54676
Paul
mk237 Oil on canvas 38x29cm
mk237 Oil_on_canvas 38x29cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Paul oil


Paul
Painting ID::  54677
Paul
mk236 123x132.5cm 1620
mk236 123x132.5cm 1620
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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